american laboratory theatre造句

• In 1923, he founded the American Laboratory Theatre in New York.
• At the age of 22, she won a competition held at the American Laboratory Theatre.
• He trained with Richard Boleslavsky and Maria Ouspenskaya-- both Stanislavski disciples-- at the American Laboratory Theatre.
• Many of the American practitioners who came to be identified with the Method were taught by Boleslavsky and Ouspenskaya at the American Laboratory Theatre.
• After the American Laboratory Theatre closed in the spring of 1930, Hecht continued working on Broadway as either dancer or choreographer until late 1931.
• The "'American Laboratory Theatre "'was an American drama school and theatrical company located in New York City that existed during the 1920s and 1930s.
• The interest generated led to a decision by Boleslavsky and Maria Ouspenskaya ( another student at the First Studio ) to emigrate to the US and to establish the American Laboratory Theatre.
• She taught acting at the American Laboratory Theatre and in 1929, together with Richard Boleslawski, her colleague from the Moscow Art Theatre, she founded the School of Dramatic Art in New York City.
• She attended the University of Utah and George Washington University, graduating from the latter in 1929 . She studied acting at the American Laboratory Theatre in New York, then went to Hollywood where she became a bit player who appeared in a number of films with Metro-Goldwyn-Mayer.
• They believed the Stanislavski System, first taught in America in the 1920s by former members of the Moscow Art Theatre, Richard Boleslavski and Maria Ouspenskaya at the American Laboratory Theatre where Clurman and Strasberg had studied, resulted in a more truthful, more believable, and therefore more powerful stage performance than could be accomplished with more seemingly external techniques common at that time.
• The relations between these strands and their acolytes, Carnicke argues, have been characterised by a " seemingly endless hostility among warring camps, each proclaiming themselves his only true disciples, like religious fanatics, turning dynamic ideas into rigid dogma . " Stanislavski's Method of Physical Action formed the central part of Sonia Moore's attempts to revise the general impression of Stanislavski's'system'arising from the American Laboratory Theatre and its teachers.